Casting Call: 'Titanic'

The sinking of the "Titanic" in the early hours of April 15, 1912, remains the quintessential disaster of the 20th century. A total 1,517 men, women and children lost their lives. That the supposedly unsinkable ship was lost during its maiden voyage is so incredible that, had it not actually happened, no author would dare to contrive it.

The musical "Titanic" examines the causes, the conditions and the characters involved in this ever-fascinating drama. This is the factual story of that ship - of her officers, crew and passengers, to be sure - but she will not, as has happened so many times before, serve as merely the background against which fictional, melodramatic narratives are recounted. The central character of our "Titanic" is the Titanic herself.

PLAYWRIGHT:
Peter Stone

COMPOSER AND LYRICIST:
Maury Yeston

PUBLISHER INFO:
This production of "Titanic" is limited to a cast of 20 people.

PRODUCERS' NAMES:
Darren Nye and David Learn

DIRECTOR'S NAME:
Matthew Muccigrossi

MUSICAL DIRECTOR'S NAME:
Mike Gilch

STAGE MANAGER'S NAME:
Holly Lessing

CHOREOGRAPHER'S NAME:
Genevieve Estanislau

AUDITION DATES:
7-9:30 p.m. Thursday, Aug. 18
Noon-2:30 p.m. Saturday, Aug. 20

CALLBACK DATES (IF APPLICABLE):
2 p.m. Sunday, Aug. 21

REHEARSAL DATE RANGE:
Rehearsals will run Sunday, Sept. 11, through Thursday, Oct. 20. Pre-tech will run Sunday, Oct. 24, through Friday, Oct. 28. Tech will run Sunday, Oct. 30, through senior night, Thursday, Nov. 3.

PRODUCTION DATES:
Performances are at 8 p.m. Fridays and Saturdays, and at 2 p.m. Sundays, Nov. 4-20

MONOLOGUE/READING REQUIREMENTS:
Bring a headshot or recent photo, and a resume. There will not be a dance call. All actors must be at least 18 by the time of auditions, no exceptions.

AUDITION REQUIREMENTS:
Prepare 32 bars of a contemporary musical theatre song in the style of the show, showing range. Please do not sing a selection from the show. Bring sheet music. A piano accompanist will be provided. No a cappella auditions.

CHARACTERS/ROLES/REQUIREMENTS:
***MEN'S PARTS***

THOMAS ANDREWS:
38 - 43. Designer of the Titanic. A very level-headed but passionate man. Leading role, strong vocal and incredible actor needed. Dramatic Bari/Tenor, sings up to G. Accent - Northern Irish/English RP.

FREDERICK BARRETT:
28 - 35. The stoker. Very masculine, handsome, and physically fit. Lyric Bari/Tenor, sings up to G. Accent - English Midlands. Also plays a 1st Class Passenger and 3rd Class Passenger.

HAROLD BRIDE:
18 - 25. The radioman. Slim. A sweet man. Melodic Tenor, sings up to G. Accent - English RP. Also plays a 1st Class Passenger and 3rd Class Passenger.

FREDERICK FLEET:
25 - 35. The lookout. Tall, physically fit actor. Floating Lyric Tenor (hypnotic), sings up to G, but possible High C man. Accent - English RP. Also plays a 1st Class Passenger, 3rd Class Passenger, and Stoker.

CAPTAIN EDWARD SMITH:
55 - 65. Captain of the Titanic. A white-haired man with strong morals, near to retirement. Has a wealth of experience. Character Baritone, commanding voice, sings up to F. Accent - English RP.

BRUCE ISMAY:
47 - 52. The chairman and managing director of the White Star Line. Upper-class ruthless man who stops at nothing to get his own way. Baritone, sings up to G. Accent - English RP.

CHARLES CLARKE:
35 - 40. A man content with his middle-class life and thinks he knows his place, looking forward to his new life in America. Strong actor. Heroic Tenor, sings up to G, but also possible High C man. Accent - English RP. Also plays a 1st Class Passenger.

EDGAR BEANE:
30 - 40. A man content with his middle-class life and thinks he knows his place, looking forward to his new life in America. Strong actor. Character Bass, sings up to D. Accent - General American (Indianapolis). Also plays Joseph Boxhall and a 3rd Class Passenger.

ISIDOR STRAUS:
60 - 65.1st Class Passenger, the highest of social elite. Warm Legit Character Baritone, sings up to F. Accent - General American (New York, Jewish Origin). Also plays Robert Hichens and a 3rd Class Passenger.

JIM FARRELL:
20 - 30. Handsome, romantic lead; a 3rd Class Passenger. Bari/Tenor, sings up to F#. Accent - Northern Irish. Also plays Andrew Latimer, 1st Class Passenger, and Joseph Bell (Chief Engineer).

HENRY ETCHES:
30 - 40. Head Butler on the ship. Strong stage presence. Jaunty Tenor, sings up to G. Accent - English RP. Also plays Herbert Pitman.

WILLIAM MURDOCH:
30 - 40. The first officer on the bridge of the Titanic. Strong actor. Baritone, sings up to F#. Accent - Scottish/English RP.

CHARLES LIGHTOLLER:
30 - 40. Second Officer on board the Titanic. Strong actor. Range up to D, but preferably with Tenor timbre, chorally up to G. Accent - English RP. Also plays a 3rd Class Passenger.

BELLBOY:
18 - early 20s. The youngest worker on board the ship (13 - 16 years old). Must have a very young look and childlike quality. Tenor, solo up to G, but also possible High C man. Accent - English RP. Also plays Wallace Hartley, 3rd Class Passenger and Stoker.

***WOMEN'S ROLES***

ALICE BEANE:
28 - 38. An aspirational young woman who dreams of becoming a 1st Class Passenger. Alto, belts up to E. Accent - General American (Indianapolis). Also plays a 3rd Class Passenger.

CAROLINE NEVILLE:
30 - 40. A woman who dreams of becoming part of the social elite. Strong actor. First Soprano, lyric, chorally up to High C. Accent - English RP. Also plays a 1st Class Passenger and Stewardess.

KATE MCGOWAN:
18 - 25. A feisty and strong girl, 3rd Class Passenger. Celtic Mezzo, solo singing up to F#, chorally up to G. Accent - Northern Irish/English RP. Also plays a 1st Class Passenger.

KATE MURPHEY:
18 - 30. 3rd Class Passenger. Strong actor. Alto/Mezzo, sings up to F#, but also possible High C. Accent - Northern Irish/English RP. Also plays a 1st Class Passenger and Stewardess.

KATE MULLINS:
18 - 30. 3rd Class Passenger. Strong actor. Alto/Mezzo, sings up to F#, but also possible High C. Accent - Northern Irish/English RP. Also plays a 1st Class Passenger and Stewardess.

IDA STRAUS:
60 - 65. Calm and content member of the Upper Class but very down-to-earth and accepts her fate. Contralto, sings up to D (an octave above Middle C). Accent - General American (New York, Jewish Origin). Also plays a 3rd Class Passenger.

LIABILITY/PHOTO RELEASE FORM:
All those auditioning must agree to and sign the Villagers Liability/Photo Release Form found at:
www.villagerstheatre.com/liability-photo-release-form.pdf

FOR FURTHER QUESTIONS - CONTACT:
Darren Nye
darren@villagerstheatre.com
(732) 429-8258

Casting Call: 'Bingo'

Somerset Valley Players is seeking seven actors for an upcoming production of "Bingo."

Set in the middle of a boisterous bouncy bingo hall, "Bingo" follows three flamboyant women as they grab their numbered cards with gusto in a singing celebration of their love for the game. A sudden blackout rouses them to recall the glory of longlost friends as they embrace the joys of life and high hopes for a cheerful future.

Auditions will be held at 7:30 p.m. June 26 and June 27, with callbacks June 29 by invitation only.

There will be a vocal audition. Prepare 16-32 bars of a song selection, in a style similar to the show. A piano accompanist will be provided. Wear comfortable clothing as there will also be a simple dance/movement element of the audition. For more information, contact director Christian Carrara via Facebook messenger or email at zolton64@gmail.com.

CAST OF CHARACTERS

Vern, 40s	Leader of the group. Really loves Bingo. Is in it to win it and nothing else. Witty. Sarcastic. Stubborn. Think Dorothy from the Golden Girls. Powerful Broadway belt from low A to a solid C.
Patsy, 40s	Craziest of the group. Enjoys Bingo, but only when she has all of her troll dolls, and rabbits' feet, and many other luck charms. Spacey. Paranoid. Loving. Very much like Rose from the Golden Girls. Pop belt to F.
Honey, 40s	Most promiscuous of the group. Doesn't really care for Bingo as long as she is with her friends and has a chance to flirt with the guys. Flirty. Fun. A little ditzy. Similar to Blanche from the Golden Girls. Belt/mix to E.
Minnie, 40s-60s	Bingo Hall Manager. Wants to make sure everyone is safe and has a good time. Needs to be comfortable interacting with the audience. Spry. Quick on her feet. Sophia-esque (from the Golden Girls). Belt to C.
Bernice, 40s	Nicest of the group. No longer plays Bingo with the girls, but misses them dearly. Genuine. Kind. Maybe a little passive aggressive. Belt to C.
Alison, 20s	Bernice's daughter. An actress trying to reunite her mother with her friends. Passionate. Optimistic. Quirky. Belt to F#.
Sam, 40s	Bingo Caller. He loves his job and takes it very seriously. However, he can be distracted by Honey. Rugged. Handsome. Serious. Baritone to F.

Performances will begin at 8 p.m. Fridays and Saturdays, and at 2 p.m.  Sundays Sept. 9-25.

Auditions will be held at Somerset Valley Players, 689 Amwell Road, Hillsborough.

Casting Call: 'Cabaret'

Playhouse 22 seeks a diverse and uninhibited cast of actors, singers and dancers, 18 and older, for an upcoming non-equity community theater production of "Cabaret." Special consideration will be given to performers who also play a musical instrument. All roles are available.

Prepare two contrasting musical theatre selections of 16 bars each, in the style of the show. An accompanist will be provided. Bring sheet music in the correct key (no transpositions on-demand). Also, no acapella and no recorded accompaniment. You will also be asked to learn a short dance combination at the audition, so bring appropriate clothing and dance shoes.

Auditions are at 7 p.m. June 20 and June 21, with callbacks by invitation only at noon June 25. Auditions will be held at the East Brunswick Community Arts Center, 721 Cranbury Road, East Brunswick.

This production is specifically looking for performers ages 18 and older who are comfortable with and confident about their bodies and who can overcome inhibitions related to intimate body contact on stage. Open minds and mutual respect for one another is a must.

Show dates are Fridays, Saturdays and from Sept. 16-Oct. 2. Friday and Saturday performances are at 8 p.m. Sunday performances are at 3 p.m. There will be no afternoon performance Sep. 25, but there will be a Sunday evening performance at 8 p.m.

The show will be directed by Jim Jarrell, with choreography by Phillip Solomon. Music director is Candice Kraus.

For more information, or to ask additional questions, contact Jarrell at jarrellje@gmail.com.

CAST BREAKDOWN

Emcee - Middle C to High C-sharp - the highly sexually-charged host at the Kit Kat Klub who is equally comfortable with women and men; must have strong comedic timing and a commanding stage presence; strong ability to move/dance.

Sally Bowles - Low A to E, with a strong belt - a performer at the Kit Kat Klub; walks around with blinders on; speaks with a British accent; very strong movement/dance.

Clifford Bradshaw - Low A to High E - an American novelist and English teacher; somewhat sexually ambiguous; comfortable with movement/dance.

Fraulein Schneider - Low D to A-flat above Middle C - typically presented as an older German woman with rooms to rent; good comedic timing; must have German accent; comfortable with light movement; may double as a Kit Kat Klub girl.

Herr Schultz - Low G to High F - owns a fruit shop and is a boarder in Fr. Schneider's house; typically presented as an older German Jewish man; good comedic timing, sentimental and romantic nature; must have German accent; comfortable with light movement; may double as a Kit Kat Klub boy.

Fraulein Kost - Low A-flat to High F with strong belt - a woman of ill-repute and a boarder in Fr. Schneider's house; strong comedic timing; speaks with a German accent; very strong dancer; doubles as one of the Kit Kat Klub girls (note: in other revivals, this role has played the accordion in the show)

Ernst Ludwig - flexible vocal range - friendly and likable German; questionable sexual preference; good comedic timing; speaks with a German accent; comfortable with light movement; may double as a Kit Kat Klub boy.

Kit Kat Klub Girls - Rosie, LuLu, Frenchie, Texas, Fritzi, and Helga - an assortment of rowdy "cabaret girls" who sing and dance throughout the show in the Kit Kat Klub numbers; must be strong, confident singers and dancers; some will double as character roles.

Kit Kat Klub Boys - Bobby, Victor, Herman, Hans, and Max - an assortment of rowdy "cabaret boys" (some with questionable sexual preference) who sing and dance throughout the show; must be strong, confident singers and dancers; some will double as character roles.

Playhouse 22 is a non-profit, community theater troupe. No paid stipends will be available. More information about Playhouse 22 can be found at Playhouse22.org.

'Young Frankenstein' at Villagers Theatre

Villagers Theatre is bringing "Young Frankenstein" to life on its mainstage this weekend as it stages an adaptation of Mel Brooks’ famous monster comedy.

Grandson of the infamous Victor Frankenstein, Frederick Frankenstein inherits his family’s estate in Transylvania. With the help of a hunchbacked side-kick, Igor; and a leggy lab assistant, Inga; Frederick finds himself in the mad scientist shoes of his ancestors. “It’s alive!” he exclaims as he brings to life a creature to rival his grandfather’s. Eventually, of course, the monster escapes.

Directed by Nick Wainwright, the show opens Friday evening, with performances at 8 p.m. Fridays and Saturdays and at 2 p.m. Sundays, June 10-26. Tickets cost $20 for adults, and $18 for seniors or students; and are available online. Villagers Theatre is located at 475 DeMott Lane, Somerset.

For more information, call the theater at (732) 873-2710. .

Program Casting Call: 'Footloose'

The Cranford Dramatic Club will hold auditions for their Junior Theatre show, "Footloose," based on the movie musical of the same name, in a few weeks. Auditions are open for eight-graders through college students.

When Ren and his mother move from Chicago to a small farming town, Ren is prepared for the inevitable adjustment period at his new high school. What he isn’t prepared for are the rigorous local edicts, including a ban on dancing instituted by the local preacher, determined to exercise the control over the town’s youth that he cannot command in his own home. When the reverend’s rebellious daughter sets her sights on Ren, her roughneck boyfriend tries to sabotage Ren’s reputation with many of the locals, eager to believe the worst about the new kid. The heartfelt story that emerges is of a father longing for the son he lost and of a young man aching for the father who walked out on him. With an Oscar- and Tony-nominated score and augmented with dynamic new songs for the stage musical, "Footloose" celebrates the wisdom of listening to young people, guiding them with a warm heart and an open mind.

Auditionees should prepare 32 bars of a song from musical theater, being sure to bring sheet music in the correct key; an accompanist will be provided. They should also bring a headshot, resumé, and list of conflicts. There will be dancing at the audition, and those with gymnastics skills should be prepared to demonstrate. Those who are cast will need to pay a $125 production fee.

Auditions will be held at 6 p.m. April 13 and at 11 p.m. April 16. Performances will occur at 8 p.m. June 10 and at 3 and 8 p.m. June 11.

For more information, visit the CDC website. The Cranford Dramatic Club is located at 78 Winans Avenue, Cranford.

Casting Call: 'Young Frankenstein'

Villagers Theatre will hold auditions for the musical adaptation of the legendary, uproarious Mel Brooks film of the same name, "Young Frankenstein."

Grandson of the infamous Victor Frankenstein, Frederick Frankenstein (pronounced "Fronk-en-steen") inherits his family's estate in Transylvania. With the help of a hunchbacked sidekick, Igor (pronounced "Eye-gore"), and a leggy lab assistant, Inga (pronounced normally), Frederick finds himself in the mad scientist shoes of his ancestors. "It's alive!" he exclaims as he brings to life a creature to rival his grandfather's. Eventually, of course, the monster escapes and hilarity abounds. Every bit as relevant to audience members who will remember the original as it will be to newcomers, "Young Frankenstein" has all the panache of the screen sensation with a little extra theatrical flair added. With such memorable tunes as "The Transylvania Mania," "He Vas My Boyfriend" and "Puttin' on the Ritz," Young Frankenstein is scientifically proven to be monstrously good entertainment.

Auditionees should prepare up to 32 bars of an up-tempo contemporary musical theater song, in the style of the show, that demonstrates range and personality. An accompanist will be provided. A cappella is not permitted. They must also sign Villagers' liability/photo release form.

Dr. Frederick Frankenstein (20s-30s)	A professor, brilliant brain surgeon, and grandson of the mad scientist Dr. Victor Von Frankenstein. Vocal range: B-flat one octave below middle C to G above middle C.
Igor (20s-30s)	Frederick's faithful, bright-eyed and eager servant and friend with a hunchback. Vocal range: D below middle C to F above middle C.
Inga (20s)	Frederick's bubbly, not-so-bright young assistant. Sexy, attractive. A resident of Transylvania. Vocal range: G-sharp below middle C to A above the treble staff. Yodeling is a plus.
Elizabeth Benning (20s-30s)	Frederick's self-loving "madcap" boisterous fiancée. Vocal range: F-sharp below middle C to F-sharp, top line of the treble staff.
Frau Blücher (female/male, 30s-40s)	The intense, stern housekeeper of Frankenstein estate. Former lover of Victor Frankenstein. Vocal range: F-sharp sharp (G natural) below middle C to B, third line treble staff.
The Monster (indeterminate)	The misunderstood creation of Dr. Frankenstein. Must be able to emit howling/monster/grunting sounds. Tap dancing a plus. Vocal range: A-flat one octave below middle C to F above middle C.
Inspector Hans Kemp (40s-50s)	Head of the police in Transylvania, with a wooden arm and leg. Justice-driven. A one octave below middle C to F above middle C. Will double as the Blind Hermit, a lonely, poor, blind hermit longing for a friend. Vocal range: B-flat one octave below middle C to D-flat just above middle C.
Ensemble	Plays plenty of featured roles, lot of juicy lines and singing, including a barbershop quartet. Need strong dance/movement training. This group will portray gravediggers, villagers, medical students, passengers, and mad scientists, among others.
Dr. Victor Von Frankenstein (40s-50s)	Frederick's infamous grandfather. Vocal range: C-sharp below middle C to G-sharp above middle C.
Ziggy (30s)	The well-intentioned village idiot. Vocal range: F below middle C to F above middle C.

Auditions will be held at 7 p.m. April 3 and 4; callbacks will be held at the same time April 11. Rehearsals will typically begin at 7 p.m. on dates between April 11 and June 9, with specifics to be announced. Performances will occur at 8 p.m. Fridays and Saturdays and at 2 p.m. Sundays June 10-26. It is directed by Nicholas Wainwright and produced by Ana Kalet and Dan Schulze.

For more information, visit the Villagers website. Villagers Theatre is located at 475 DeMott Lane, Somerset.

'Wendy's Shadow' at Mystic Vision Players

Mystic Vision Players will present "Wendy's Shadow," which retells the mischievous and magical adventure of Peter Pan from Wendy's adult perspective with a contemporary folk/rock score. The musical takes the audience back to Neverland – where dreams are born, and time is never planned – and asks if it’s possible to leave the one you loved.

The show will run at 8 p.m. March 24-26 and at 2 p.m. March 26; tickets cost $22.50. It is directed by Mikaela Kafka.

To purchase tickets, click here. For more information, fill out the contact form here. The performance will be at UCPAC'S Hamilton Stage on 360 Hamilton Street, Rahway.

Casting Call: 'Bonnie and Clyde'

Pierrot Productions of Kelsey Theatre will hold auditions for "Bonnie and Clyde," a musical based on historical events, March 17 and 20.
In Depression-era Texas, young Bonnie Parker falls in love with Clyde Barrow, a criminal on the run from the law. Their love affair soon spirals out of control, as Bonnie & Clyde commit a series of bank robberies with escalating violence. As their notoriety and body count rise, the ill-fated lovers find themselves racing to the top of the Public Enemies list.

Auditionees are asked to prepare a contemporary stage monologue and a song in country or blues style, being sure to bring music in the proper key; an accompanist will be provided. They should also prepare a resumé, and schedule appointments.

Clyde Barrow (mid-late 20s, A2-C5)	A charming small-town boy who craves notoriety. Bonnie's reckless, bold, daring lover.
Bonnie Parker (early–mid-20s, G3-F5)	A beautiful girl torn between love and fame. Clyde's ambitious, stubborn lover.
Marvin "Buck" Barrow (late 20s–mid-30s, B2-G4)	Clyde's brother, an outlaw troubled by his wife's distaste for his lifestyle. Adventurous and loyal.
Blanche Barrow (late 20s–mid-30s, g3-Eb5)	Buck's wife. A religious woman who disapproves of the criminal lifestyle; honorable and righteous.
Ted Hinton (30s, C3-A4)	A police officer struggling to separate his feelings from his duties. Kind and honest, but infatuated with Bonnie.
Young Clyde (8-12, B3-A5)
Young Bonnie (8-12, C#4-C5)
Preacher (45-65, A2-C5)	The town's evangelist. Loud, passionate, boisterous.
Henry Barrow (45-55)	A hard-working man, struggling to survive. Humble and quiet. Father of Clyde and Buck.
Cumie Barrow (45-55)	Clyde and Buck's mother, loyal and selfless. A kind woman among those suffering in the Depression.
Emma Parker (40-55)	Bonnie's widowed mother. Fragile, caring, sensitive.
Governor Miriam Ferguson (45-60)	An enforcer of the law and Governor of Texas. Tough and harsh.
Captain Frank Hamer (50-65)	Retired Texas Ranger, recruited by Gov. Ferguson to join the hunt for Bonnie and Clyde.
Bob Alcorn (30-45)	The best sharpshooter in Texas. Recruited by Frank Hamer to help hunt down Bonnie and Clyde.
Sheriff Schmid (30-45)
Ensemble	Play store clerks, cops, guards, bank customers, choir members, bread line folks, and others.

Auditions will begin at 7:30 p.m. March 17 and at 1 p.m. March 20. The show will run June 17-19 and 24-26.

To schedule an audition appointment, send name, email address, cell phone number, ideal date and time frame of auditions to pierrot@kelsey@gmail.com; slots will be assigned on a first-come, first-serve basis. Kelsey Theater is located at 1200 Old Trenton Road, West Windsor.

Casting Call: 'Anything Goes'

M&M of Kelsey Theatre will hold auditions for the classic tap-dancing musical, "Anything Goes," which has music and lyrics by the legendary Cole Porter.

This musical comedy, with a stateroom-full of slapstick, tap dancing and forbidden flirtation, follows lovelorn stowaway Billy Crocker as he tries to win the heart of the engaged heiress Hope Harcourt. With a little willing assistance from nightclub singer Reno Sweeney and public enemy number 13 Moonface Martin, he just might succeed. "Anything Goes" features some of musical theater's most memorable standards, including "I Get A Kick Out of You", "You're the Top", "Friendship" and, naturally, "Anything Goes".

Auditionees should prepare an audition form, an updated resumé, a headshot and a song from the show as specified; both sheet music and an accompanist to play it in its original key will be provided. Some actors will be asked to do a cold reading from the script. Auditionees should also wear clothing comfortable for dancing in, and bring jazz shoes and either tap shoes or shoes with hard soles. There will be a tap audition for those who wish to tap in the show. Appointments are encouraged, but not required.

Reno Sweeney (mid-20s–30s, mezzo/belt)	An evangelist-turned-nightclub-singer. Brassy, with quick comic timing. Must dance well. Tap a plus. Those auditioning for this role should prepare "Anything Goes" and "I Get a Kick Out of You."
Billy Crocker (mid-20s, baritone)	A charming, energetic go-getter and hopeless romantic. Hopelessly in love with Hope Harcourt. Must dance well. Tap a plus.  Those auditioning for this role should prepare "Easy to Love."
Hope Harcourt (20s+, mezzo/lyric)	A young New York debutante. Engaged to Lord Evelyn Oakleigh to appease her mother, but has fallen in love with Billy. Must dance well.  Those auditioning for this role should prepare "De-Lovely."
Moonface Martin (30+, baritone)	Comic lead. Public Enemy #13 who stows away on the ship to hide from the FBI. A vaudeville type with great comic timing. Must move well. Tap a plus.  Those auditioning for this role should prepare "Be Like the Bluebird."
Lord Evelyn Oakleigh (20s-30s, baritone)	An awkward man with noble upbringing. He comes from a wealthy family with a scandalous secret and is somewhat naive. A goofball. Should move well. Those auditioning for this role should prepare "The Gypsy and Me."
Evangeline Harcourt (late 40s+)	Hope's overbearing and crazy mother. Afraid the family fortune will dry up and she will be unable to maintain her lifestyle, she wants to marry Hope off to Lord Evelyn Oakleigh. Only sings with the chorus. Those auditioning for this role should prepare "Anything Goes."
Erma (20s-30s, soprano)	Moonface's quirky, unrefined girlfriend who stowed away with him. Comedic and flirtatious, especially with the sailors. Must dance well. Those auditioning for this role should prepare "Buddy, Beware."
Elijah Whitney (late 40s, A-C)	A major player on Wall Street and Billy's boss. He can't see a thing without his glasses and drinks a little too much. Those auditioning for this role should prepare "Anything Goes."
The captain (40+, baritone)	A military man, somewhat overly concerned with outward appearances. Not the sharpest tool in the toolbox. Sings "Public Enemy Number 1". Those auditioning for this role should prepare "Anything Goes."
The Purser: (30+, tenor)	Captain's right hand man. Keeps ship running smoothly. Must move well. Those auditioning for this role should prepare "Anything Goes."
Luke and John (any)	Two Christian converts from China traveling with the Reverend Dobson, who revert to their old vices when the reverend is removed from the ship. Must dance well. Those auditioning for this role should prepare "Anything Goes."
Ensemble (all ages, singing/non-singing)	Includes the angels (4-6), Reno's back-up chorus girls, who are beautiful, sexy and flirtatious and must dance extremely well (tap a plus); the sailors, who must dance well (some may be used for the quartet and some will need to tap); and the ship's passengers who should all sing and move well (tap is a plus). There are featured ensemble roles that can be non-singing. Those auditioning for this role should prepare "Anything Goes;" those auditioning to be sailors also may prepare "Bon Voyage."

Auditions will be held from 7:30-10 p.m. March 23 and 30 and April 8, and from 12-5 p.m. April 9. Performances will be at 8 p.m. Fridays and Saturdays and at 2 p.m. Sundays July 29 to August 7.

For more information, or to schedule an audition appointment, contact auditions@mandmonstage.com. To download the audition form, click here. Kelsey Theatre is located on 1200 Old Trenton Road, West Windsor.

'Wendy's Shadow' at Mystic Vision Players

Mystic Vision Players will present "Wendy's Shadow," which retells the mischievous and magical adventure of Peter Pan from Wendy's adult perspective with a contemporary folk/rock score. The musical takes the audience back to Neverland – where dreams are born, and time is never planned – and asks if it’s possible to leave the one you loved.

The show will run at 8 p.m. March 24-26 and at 2 p.m. March 26; tickets cost $22.50. It is directed by Mikaela Kafka.

To purchase tickets, click here. For more information, fill out the contact form here. The performance will be at UCPAC'S Hamilton Stage on 360 Hamilton Street, Rahway.

Casting Call: 'Bonnie and Clyde'

Pierrot Productions of Kelsey Theatre will hold auditions for "Bonnie and Clyde," a musical based on historical events, March 17 and 20.

In Depression-era Texas, young Bonnie Parker falls in love with Clyde Barrow, a criminal on the run from the law. Their love affair soon spirals out of control, as Bonnie & Clyde commit a series of bank robberies with escalating violence. As their notoriety and body count rise, the ill-fated lovers find themselves racing to the top of the Public Enemies list.

Auditionees are asked to prepare a contemporary stage monologue and a song in country or blues style, being sure to bring music in the proper key; an accompanist will be provided. They should also prepare a resumé. They should schedule appointments.

Clyde Barrow (mid-late 20s, A2-C5)	A charming small-town boy who craves notoriety. Bonnie's reckless, bold, daring lover.
Bonnie Parker (early–mid-20s, G3-F5)	A beautiful girl torn between love and fame. Clyde's ambitious, stubborn lover.
Marvin "Buck" Barrow (late 20s–mid-30s, B2-G4)	Clyde's brother, an outlaw troubled by his wife's distaste for his lifestyle. Adventurous and loyal.
Blanche Barrow (late 20s–mid-30s, g3-Eb5)	Buck's wife. A religious woman who disapproves of the criminal lifestyle; honorable and righteous.
Ted Hinton (30s, C3-A4)	A police officer struggling to separate his feelings from his duties. Kind and honest, but infatuated with Bonnie.
Young Clyde (8-12, B3-A5)
Young Bonnie (8-12, C#4-C5)
Preacher (45-65, A2-C5)	The town's evangelist. Loud, passionate, boisterous.
Henry Barrow (45-55)	A hard-working man, struggling to survive. Humble and quiet. Father of Clyde and Buck.
Cumie Barrow (45-55)	Clyde and Buck's mother, loyal and selfless. A kind woman among those suffering in the Depression.
Emma Parker (40-55)	Bonnie's widowed mother. Fragile, caring, sensitive.
Governor Miriam Ferguson (45-60)	An enforcer of the law and Governor of Texas. Tough and harsh.
Captain Frank Hamer (50-65)	Retired Texas Ranger, recruited by Gov. Ferguson to join the hunt for Bonnie and Clyde.
Bob Alcorn (30-45)	The best sharpshooter in Texas. Recruited by Frank Hamer to help hunt down Bonnie and Clyde.
Sheriff Schmid (30-45)
Ensemble	Play store clerks, cops, guards, bank customers, choir members, bread line folks, and others.

Auditions will begin at 7:30 p.m. March 17 and at 1 p.m. March 20. The show will run June 17-19 and 24-26.

To schedule an audition appointment, send name, email address, cell phone number, ideal date and time frame of auditions to pierrot@kelsey@gmail.com; slots will be assigned on a first-come, first-serve basis. Kelsey Theater is located at 1200 Old Trenton Road, West Windsor.

'Dear Edwina Jr.'

Villagers Theatre's production of the musical "Dear Edwina Jr." opens tomorrow.

Thirteen year-old Edwina Spoonapple is desperate to be a part of the Kalamazoo Advice-a-palooza Festival and prove herself the equal of her talented siblings. When a talent scout from the convention visits her hometown, she introduces her musical advice giving shows live from the family garage in hopes of finding her place in the spotlight. She is helped by her older siblings, quirky friends, and neighbors. Together they set out to tackle the world's problems with hysterical numbers about everything from birthday party etiquette to the proper table settings.

The show features Jessica Kimberlin as Edwina Spoonapple, Brandon Luckenbaugh as Scott, Sierra Emery as Becky, Gina Maille as Kelli, Abigail Semsel as Lars, Abigail Pollard as Billy, Maddie Myre as Cordell, Naomi Taylor as Annie, Kevin Luck as Bobby, Melodie Richard as Katie Spoonapple; and Sophia Bulbulia, Lexi Thomas, Ruth Learn, Carmela Beitler, Rayna Richard, Jillian Huston, Felicity Howard, Samantha Biondi, Chloe Garcia, Grace LaMantia, Deanna Miller, and Sarah Stefanik as members of the ensemble. It is directed by Devin Massih.

The show runs at noon and 2 p.m. Saturdays and at 2 p.m. Sundays March 12-20. Tickets cost $10 each.

To purchase tickets, click here. Villagers Theatre is located at 475 DeMott Lane, Somerset.

Yardley Players of Villagers Theatre will hold auditions for "Roald Dahl's Willy Wonka," the musical based on the classic children's story, in just over a week.

The show follows enigmatic candy manufacturer Willy Wonka as he stages a contest by hiding five golden tickets in five of his scrumptious candy bars. Whoever finds with these tickets will win a free tour of the Wonka factory, as well as a lifetime supply of candy. Four of the five winning children are insufferable brats: the fifth is a likeable young lad named Charlie Bucket who takes the tour in the company of his equally amiable grandfather. The children must learn to follow Mr. Wonka's rules in the factory– or suffer the consequences.

Auditionees should prepare a song from or in the style of the show with sheet music in the correct key, be prepared for a group dance audition and readings from the script, download, print and bring an audition form, and bring a recent picture and resumé. Auditions are by appointment only.

For information on the characters' vocal parts, contact the director, Kristy Davis.

Willy Wonka (25-45)	An enigmatic character. Mysterious, mischievous and charismatic.
Charlie Bucket (8-12)	A poor young boy with endless optimism, the emotional heart and soul of the musical.
Grandpa Joe (55+)	Caring, patient and sweet; always reminds Charlie to remain cheerful.
Mr. Bucket (30-45)	Charlie's father.
Mrs. Bucket (30-45)	Charlie's mother.
Grandmas Josephine and Georgina (55+)	Charlie's grandmothers.
Grandpa George (55+)	Charlie's other grandfather.
Phineous Trout (25-45)	Reporter who announces the winners of the Golden Ticket contest throughout the show.
Augustus Gloop (8-12)	The overachieving eater who represents the evils of eating too much
Mrs. Gloop (30-45)	Augustus' mother.
Mike Teavee (8-12)	A young boy who is addicted to video games, the Internet and all other mind-numbing technological devices. Bratty, loud and obnoxious; does not know the word "no."
Mrs. Teavee (30-45)	A take on all television moms of the distant past. Think June Cleaver (Leave it to Beaver) or Marion Cunningham (Happy Days) or even Carol Brady (The Brady Bunch). Perfectly put together and a bit vacant.
Violet Beauregarde (8-12)	Gum chewer extraordinaire; middle-class brat.
Mrs. Beauregarde (30-45)	Violet's mother, a geography teacher who has invested a great deal of hard-earned money on therapy for her orally fixated daughter, with less than stellar results.
Veruca Salt (8-12)	The wealthy, class-conscious, spoiled brat.
Mr. Salt (30-45)	Veruca's father who's solution to most problems is to buy his way out. He is upper class. Male, 30-45 yrs old
James, Matilda, Sophie, Danny and Alfie (8-12)	Children from Charlie's town.
Ensemble (all ages)	Play townspeople, cooks and Oompa Loompas.

Auditions will occur from 12-5 p.m. March 20, and from 6:30-10 p.m. March 21 in the CM building next to Kelsey Theatre, with callbacks March 23 if needed. Rehearsals will begin April and run 7-9:30 p.m. Mondays and Wednesdays and 12-4 p.m. Sundays, and performances will be Fridays, Saturdays and Sundays July 1-10 and at 10 a.m. July 8.

To schedule an appointment, for vocal range information, or for more information, contact Kristy Davis at directorkristydavis@gmail.com. Kelsey Theatre is located on the Mercer County Community College campus on 1200 Old Trenton Road, West Windsor.

Casting Call: '1776'

Playhouse 22 will hold auditions for "1776", by Sherman Edwards and Peter Stone, March 6 and 7.

It's the summer of 1776, and the nation is ready to declare independence, if only our founding fathers can agree to do it! "1776" follows John Adams of Massachusetts, Benjamin Franklin of Pennsylvania, and Richard Henry Lee and Thomas Jefferson of Virginia as they attempt to convince the members of the second Continental Congress to vote for independence from the shackles of the British monarchy by signing the Declaration of Independence. The show puts a human face on the pages of history as we see the men behind the national icons: proud, frightened, uncertain, irritable, charming, often petty and ultimately noble figures determined to do the right thing for a fledgling nation.

Auditionees should prepare a short cut of a show tune that best reflects the vocal abilities of the character they will audition for, being sure to bring sheet music. An accompanist will be provided.

John Adams (baritone to tenor, 41)	Delegate and devoted husband from Massachusetts. Opinionated, quick-tempered, domineering and obnoxious, he seems to antagonize everyone in Congress. But what is perceived as an ego out of control is an unwavering duty for doing what he believes is right. (The actor cast as Adams will be required to be at the bulk of rehearsals, regardless if he's played the role before.
Benjamin Franklin (baritone, late 60's-70)	Delegate from Pennsylvania who enjoys quoting himself. Intelligent, well-traveled, a keen politician and a firm patriot, who is respected by the men of Congress. He is a charmer with the ladies and impossible not to like.
Thomas Jefferson (high-baritone to tenor, 33)	Delegate from Virginia. A scholar and a thinker, he is tall, handsome and very much in love with his wife. Despite a quiet demeanor when the gloves come off, his commitment for a just and moral outcome is apparent, particularly with the subject of slavery.
Abigail Adams (soprano, 32)	John Adams' loving wife. She is understanding, dignified and talented with a pen. She has a calm beauty about her and conveys a quiet strength. Every bit as bright as her husband, she proves to be his equal on any matter.
John Dickinson (baritone, 40s)	Delegate from Pennsylvania. A sharp-tongued loyalist who at one moment can be witty and the next a touch detestable. He is unmovable in his belief that separation from England would be a grave mistake. He is also a masterful spin-doctor.
Martha Jefferson (mezzo to soprano, mid-20s)	Thomas Jefferson's wife and the love of his life. She is elegant, graceful, completely enchanting and should convey a "lightness" about her. She is the cool breeze on a hot summer day.
Edward Rutledge (baritone, 30)	Delegate from South Carolina. The quintessential southern gentleman: polished, well spoken and privileged. His manner is confident and somewhat "genteel", but when he chooses to strike, he will strike like no other. Vocal ability will take precedence over age. Southern accent required.
Richard Henry Lee (baritone to tenor, mid-40s)	Delegate from Virginia. A bold, brash and a bit bombastic aristocrat and patriot. His manner is enjoyable to some, infuriating to others. He proudly proposes the question of Independence, which starts the ball rolling. Vocal ability will take precedence over age.
The courier (tenor, 16-20-ish)	The messenger between General Washington's army and Congress. While his disposition is innocent, he has witnessed the horrors of war firsthand.
Roger Sherman (baritone or tenor, 40s-50s)	Delegate from Connecticut. He is a cobbler with a gentle demeanor. Solo part in "But Mr. Adams."
Robert Livingston (baritone or tenor, late 30s-50s)	Delegate from New York. A proud father of a new son. Solo part in "But Mr. Adams."
Charles Thomson (high baritone or tenor, late 30s-50s)	The Congressional Secretary. He is official and businesslike in his demeanor. Closely watches the intentions of the delegates, both spoken and unspoken. Solo part in "Is Anybody There."
Andrew McNair (baritone or tenor, 40s-60s)	Congressional Custodian and gopher for the members of Congress. He's likable and accommodating. Sings harmonies in "Mama Look Sharp."
The Leather Apron (baritone or tenor, 15-20s)	McNair's apprentice who wants to join the Continental Army. Sings harmonies in "Mama Look Sharp."
John Hancock (early 40s+)	President of Congress, a supporter of independence and the ringmaster of the congressional chaos. He is the deciding vote in a tie.
Caesar Rodney (late 40s-50s)	Delegate from Delaware. Deathly ill, riddled with cancer, he remains dignified. A true patriot, he travels back from Delaware to break a tie for independence.
Stephen Hopkins (60s)	Delegate from Rhode Island. Gruff, cantankerous and not at all afraid to voice his views. He also likes his rum.
Dr. Lyman Hall (late 40s-50s)	Delegate from Georgia. A mannered, reserved physician torn between his beliefs and those of his Southern contingency. Mild southern accent required.
Colonel Thomas McKean (late 30s-40s)	Delegate from Delaware. A proud Scotsman, pro-independence, who looks after Caesar Rodney and somewhat despises his fellow delegate George Read. A "guy's guy". Scottish accent required.
Judge James Wilson (30s-40s)	Delegate from Pennsylvania. The sheepish yes-man to Dickinson who ends up being faced with casting the final vote that will forever decide the issue of independence.
John Witherspoon (50s)	Delegate from New Jersey. Almost didn't make it because he got lost. Pro-independence.
Ensemble	Dr. Josiah Bartlett (40s-50s) Delegate from New Hampshire. Pro-independence. Lewis Morris (50s) Delegate from New York. Always abstaining. Joseph Hewes (40s-50s) Delegate from North Carolina. Must be swayed for independence. Samuel Chase (30s-50s) Delegate from Maryland. Must be swayed for independence. George Read (40s) Delegate from Delaware. Against independence, and the reason a gravely ill Caesar Rodney must return to Congress to vote.

Auditions will occur 6:30-9:30 March 6 and 7. The time is divided into two blocks; the first block ends and the next one begins at 8:00. Actors can make an appointment stating the part they are auditioning for date and time block they want, and will receive audition sides a few days in advance. Auditionees will be seen in order of arrival. Callbacks will be held March 10.

The show will run at 8 p.m. Fridays and Saturdays and at 3 p.m. Sundays June 10-26.

To schedule an appointment, or for more information, email 1776@playhouse22.org. Those seeking information can also call (732)254-3939. Playhouse 22 is located at 721 Cranbury Road, East Brunswick.

Casting Call: 'Roald Dahl's Willy Wonka'

Yardley Players of Villagers Theatre will hold auditions for "Roald Dahl's Willy Wonka," the musical based on the classic children's story, later this March.

The show follows enigmatic candy manufacturer Willy Wonka as he stages a contest by hiding five golden tickets in five of his scrumptious candy bars. Whoever comes up with these tickets will win a free tour of the Wonka factory, as well as a lifetime supply of candy. Four of the five winning children are insufferable brats: the fifth is a likeable young lad named Charlie Bucket who takes the tour in the company of his equally amiable grandfather. The children must learn to follow Mr. Wonka's rules in the factory--or suffer the consequences.

Auditionees should prepare a song from or in the style of the show with sheet music in the correct key, be prepared for a group dance audition and readings from the script, download, print and bring an audition form, and bring a recent picture and resumé. Auditions are by appointment only.

For information on the characters' vocal parts, contact the director, Kristy Davis.

Willy Wonka (25-45)	An enigmatic character. Mysterious, mischievous and charismatic.
Charlie Bucket (8-12)	A poor young boy with endless optimism, the emotional heart and soul of the musical.
Grandpa Joe (55+)	Caring, patient and sweet; always reminds Charlie to remain cheerful.
Mr. Bucket (30-45)	Charlie's father.
Mrs. Bucket (30-45)	Charlie's mother.
Grandmas Josephine and Georgina (55+)	Charlie's grandmothers.
Grandpa George (55+)	Charlie's other grandfather.
Phineous Trout (25-45)	Reporter who announces the winners of the Golden Ticket contest throughout the show.
Augustus Gloop (8-12)	The overachieving eater who represents the evils of eating too much
Mrs. Gloop (30-45)	Augustus' mother.
Mike Teavee (8-12)	A young boy who is addicted to video games, the Internet and all other mind-numbing technological devices. Bratty, loud and obnoxious; does not know the word "no."
Mrs. Teavee (30-45)	A take on all television moms of the distant past. Think June Cleaver (Leave it to Beaver) or Marion Cunningham (Happy Days) or even Carol Brady (The Brady Bunch). Perfectly put together and a bit vacant.
Violet Beauregarde (8-12)	Gum chewer extraordinaire; middle-class brat.
Mrs. Beauregarde (30-45)	Violet's mother, a geography teacher who has invested a great deal of hard-earned money on therapy for her orally fixated daughter, with less than stellar results.
Veruca Salt (8-12)	The wealthy, class-conscious, spoiled brat.
Mr. Salt (30-45)	Veruca's father who's solution to most problems is to buy his way out. He is upper class. Male, 30-45 yrs old
James, Matilda, Sophie, Danny and Alfie (8-12)	Children from Charlie's town.
Ensemble (all ages)	Play townspeople, cooks and Oompa Loompas.

Auditions will occur from 12-5 p.m. March 20, and from 6:30-10 p.m. March 21 in the CM building next to Kelsey Theatre, with callbacks March 23 if needed. Rehearsals will begin April and run 7-9:30 p.m. Mondays and Wednesdays and 12-4 p.m. Sundays, and performances will be Fridays, Saturdays and Sundays July 1-10 and at 10 a.m. July 8.

To schedule an appointment, for vocal range information, or for more information, contact Kristy Davis at directorkristydavis@gmail.com. Kelsey Theatre is located on the Mercer County Community College campus on 1200 Old Trenton Road, West Windsor.

Somerset Valley Players Seeking Actors for "Oklahoma!"

Somerset Valley Players is seeking two adult male actors to round out the cast of the Rodgers and Hammerstein musical "Oklahoma!"

Set in a Western Indian territory just after the turn of the century, the high-spirited rivalry between the local farmers and cowboys provides the colorful background against which Curly, a handsome cowboy, and Laurey, a winsome farm girl, play out their love story. Although the road to true love never runs smooth, with these two headstrong romantics holding the reins, love's journey is as bumpy as a surrey ride down a country road.

The actors should be able to do some light dancing and carry a tune. The show is currently rehearsing; rehearsals are Sunday, Monday, Wednesday and Thursday evenings, although actors are not required for all rehearsals. Performances will occur at 8 p.m. Fridays and Saturdays and at 2 p.m. Sundays April 8-May 1. The show is directed by Tina Lee.

Those who are interested should contact mikemuller@optonline.net. SVP is located at 689 Amwell Road, Hillsborough.

'Bloody Bloody Andrew Jackson' at Edison Valley Playhouse

With a raucous blend of outrageous comedy, anarchic theatricality and an infectious rock score, this wildly entertaining musical tells how A.J. kicked British butt, shafted the Indians and smacked down the Spaniards all in the name of these United States--who cares if he didn't have permission?

"Bloody Bloody Andrew Jackson" will open at Edison Valley Playhouse March 18.

The show follows America's seventh president from his early days as a child on the wild frontier to his controversial reign in the White House. With the country divided into rich and poor (and with continued skirmishes with the Native Americans upsetting pieces of the new world), Jackson begins his steady climb from military strategist to populist rabble-rouser to President of the United States. Along the way, he meets his wife, Rachel, takes on the Founding Fathers, and rocks like no political figure has ever rocked before!

The show will run at 8 p.m. March 8, 19 and 25 and April 1 and 2; at midnight March 26; and at 2 p.m. March 20. It is written by Michael Friedman and Alex Timbers, and directed by Alan Van Antwerp. Tickets cost $20 per adult and $15 per senior, student or military personnel.

To reserve tickets for pickup and payment right before the show, call (908)755-4654 and leave a message stating name, which show you wish to attend, number of tickets needed and your phone number; there will not be a return call unless there is a problem with the reservation. To reserve and pay for tickets online, click here.

Edison Valley Playhouse is located at 2196 Oak Tree Road, Edison.

Casting Call: '1776'

Playhouse 22 will hold auditions for "1776", by Sherman Edwards and Peter Stone, March 6 and 7.

It's the summer of 1776, and the nation is ready to declare independence, if only our founding fathers can agree to do it! "1776" follows John Adams of Massachusetts, Benjamin Franklin of Pennsylvania, and Richard Henry Lee and Thomas Jefferson of Virginia as they attempt to convince the members of the second Continental Congress to vote for independence from the shackles of the British monarchy by signing the Declaration of Independence. The show puts a human face on the pages of history as we see the men behind the national icons: proud, frightened, uncertain, irritable, charming, often petty and ultimately noble figures determined to do the right thing for a fledgling nation.

Auditionees should prepare a short cut of a show tune that best reflects the vocal abilities of the character they will audition for, being sure to bring sheet music. An accompanist will be provided.

John Adams (baritone to tenor, 41)	Delegate and devoted husband from Massachusetts. Opinionated, quick-tempered, domineering and obnoxious, he seems to antagonize everyone in Congress. But what is perceived as an ego out of control is an unwavering duty for doing what he believes is right. (The actor cast as Adams will be required to be at the bulk of rehearsals, regardless if he's played the role before.
Benjamin Franklin (baritone, late 60's-70)	Delegate from Pennsylvania who enjoys quoting himself. Intelligent, well-traveled, a keen politician and a firm patriot, who is respected by the men of Congress. He is a charmer with the ladies and impossible not to like.
Thomas Jefferson (high-baritone to tenor, 33)	Delegate from Virginia. A scholar and a thinker, he is tall, handsome and very much in love with his wife. Despite a quiet demeanor when the gloves come off, his commitment for a just and moral outcome is apparent, particularly with the subject of slavery.
Abigail Adams (soprano, 32)	John Adams' loving wife. She is understanding, dignified and talented with a pen. She has a calm beauty about her and conveys a quiet strength. Every bit as bright as her husband, she proves to be his equal on any matter.
John Dickinson (baritone, 40s)	Delegate from Pennsylvania. A sharp-tongued loyalist who at one moment can be witty and the next a touch detestable. He is unmovable in his belief that separation from England would be a grave mistake. He is also a masterful spin-doctor.
Martha Jefferson (mezzo to soprano, mid-20s)	Thomas Jefferson's wife and the love of his life. She is elegant, graceful, completely enchanting and should convey a "lightness" about her. She is the cool breeze on a hot summer day.
Edward Rutledge (baritone, 30)	Delegate from South Carolina. The quintessential southern gentleman: polished, well spoken and privileged. His manner is confident and somewhat "genteel", but when he chooses to strike, he will strike like no other. Vocal ability will take precedence over age. Southern accent required.
Richard Henry Lee (baritone to tenor, mid-40s)	Delegate from Virginia. A bold, brash and a bit bombastic aristocrat and patriot. His manner is enjoyable to some, infuriating to others. He proudly proposes the question of Independence, which starts the ball rolling. Vocal ability will take precedence over age.
The courier (tenor, 16-20-ish)	The messenger between General Washington's army and Congress. While his disposition is innocent, he has witnessed the horrors of war firsthand.
Roger Sherman (baritone or tenor, 40s-50s)	Delegate from Connecticut. He is a cobbler with a gentle demeanor. Solo part in "But Mr. Adams."
Robert Livingston (baritone or tenor, late 30s-50s)	Delegate from New York. A proud father of a new son. Solo part in "But Mr. Adams."
Charles Thomson (high baritone or tenor, late 30s-50s)	The Congressional Secretary. He is official and businesslike in his demeanor. Closely watches the intentions of the delegates, both spoken and unspoken. Solo part in "Is Anybody There."
Andrew McNair (baritone or tenor, 40s-60s)	Congressional Custodian and gopher for the members of Congress. He's likable and accommodating. Sings harmonies in "Mama Look Sharp."
The Leather Apron (baritone or tenor, 15-20s)	McNair's apprentice who wants to join the Continental Army. Sings harmonies in "Mama Look Sharp."
John Hancock (early 40s+)	President of Congress, a supporter of independence and the ringmaster of the congressional chaos. He is the deciding vote in a tie.
Caesar Rodney (late 40s-50s)	Delegate from Delaware. Deathly ill, riddled with cancer, he remains dignified. A true patriot, he travels back from Delaware to break a tie for independence.
Stephen Hopkins (60s)	Delegate from Rhode Island. Gruff, cantankerous and not at all afraid to voice his views. He also likes his rum.
Dr. Lyman Hall (late 40s-50s)	Delegate from Georgia. A mannered, reserved physician torn between his beliefs and those of his Southern contingency. Mild southern accent required.
Colonel Thomas McKean (late 30s-40s)	Delegate from Delaware. A proud Scotsman, pro-independence, who looks after Caesar Rodney and somewhat despises his fellow delegate George Read. A "guy's guy". Scottish accent required.
Judge James Wilson (30s-40s)	Delegate from Pennsylvania. The sheepish yes-man to Dickinson who ends up being faced with casting the final vote that will forever decide the issue of independence.
John Witherspoon (50s)	Delegate from New Jersey. Almost didn't make it because he got lost. Pro-independence.
Ensemble	Dr. Josiah Bartlett (40s-50s) Delegate from New Hampshire. Pro-independence. Lewis Morris (50s) Delegate from New York. Always abstaining. Joseph Hewes (40s-50s) Delegate from North Carolina. Must be swayed for independence. Samuel Chase (30s-50s) Delegate from Maryland. Must be swayed for independence. George Read (40s) Delegate from Delaware. Against independence, and the reason a gravely ill Caesar Rodney must return to Congress to vote.

Auditions will occur 6:30-9:30 March 6 and 7. The time is divided into two blocks; the first block ends and the next one begins at 8:00. Actors can make an appointment stating the part they are auditioning for date and time block they want, and will receive audition sides a few days in advance. Auditionees will be seen in order of arrival. Callbacks will be held March 10.

The show will run at 8 p.m. Fridays and Saturdays and at 3 p.m. Sundays June 10-26.

To schedule an appointment, or for more information, email 1776@playhouse22.org. Those seeking information can also call (732)254-3939. Playhouse 22 is located at 721 Cranbury Road, East Brunswick.

'Blood Brothers' at Villagers Theatre

Is it Mother Nature or Mother Nurture who makes us who we are? Audiences will have the chance to decide for themselves next week when Villagers Theatre presents "Blood Brothers."

A hit musical that ran for 24 years in London’s West End, "Blood Brothers" tells a provocative story filled with humor and heartbreak. Mrs. Johnstone is expecting twins, but knows she can’t afford to raise them both. The affluent woman for whom she cleans house, devises a plan to raise one of the twins as her own. In despair, and hoping to give at least one child a better life, Mrs. Johnstone agrees. Despite attempts to keep them apart, the boys, Mickey and Edward, meet and become close friends. Their lives become increasingly intertwined as the drama unfolds toward the inevitable day that they discover the truth about their heritage with explosive results.

Directed by Marie Fiorello, "Blood Brothers" features the talents of Hunter Chadeayne as Mickey Johnstone and Christopher Neuman as Edward Lyons, his twin brother who gets adopted. Other performers include Denise Jobes as Mrs. Johnstone; Christopher Pica as Joe the Milkman, who serves as a narrator; Kristen Umansky as Mrs. Lyons and Thom Boyer as Mr. Lyons; Jillian Wagner as Linda; Justin Luckenbaugh as Sammy; Lisa Sudfield as Donna Marie; and ensemble members Christopher Russoniello, Dwight Merritt and Katie Hilosky.

A musical with book, lyrics and music by Willy Russell, "Blood Brothers" is a winner of the Laurence Olivier Award for Best New Musical. It ran for more than 24 years in the West End, with more than 10,000 performances. It is the third longest-running musical production in West End history. It also has enjoyed successes on tour and on Broadway.

Tickets for the Villagers Theatre production of "Blood Brothers" cost $20, or $18 for students and seniors. Performances are at 8 p.m. Fridays and Saturdays, and at 2 p.m. Sundays, Feb. 5-21. Tickets are available online, or by calling the box office at (732) 873-2710.

Villagers Theatre is located at 475 DeMott Lane, Somerset.

'25th Annual Putnam County Spelling Bee' at Playhouse 22

An eclectic group of six mid-pubescents vie for the spelling championship of a lifetime. While candidly disclosing hilarious and touching stories from their home life, the tweens spell their way through a series of [potentially made-up] words hoping to never hear the soul-crushing, pout-inducing, life un-affirming “ding” of the bell that signals a spelling mistake. Six spellers enter; one speller leaves! At least the losers get juice boxes.

Playhouse 22's production of "The 25^th Annual Putnam County Spelling Bee" opens February 5, and will run at 8 p.m. Fridays and Saturdays and at 3 p.m. Sundays through Feb. 21. Tickets cost $22 per adult and $20 per student or senior.

The show features Katy Widmer as Olive, Julie Stein as Logainne, Jenny Weiner as Rona, Maria Aromando as Marcy, Anthony Competello as Barfee, Stephen Belfatti as Mitch, Brett Hennessey Jones as Chip, Jack Tomy as Leaf and Patrick Andrae as Panch. It is directed by Mark Kalet.

To purchase tickets, click here. Playhouse 22 is located at 721 Cranbury Road, East Brunswick.