PISCATAWAY — King Richard III is one of the most diabolical, deplorable and ruthless villains created by William Shakespeare – or is he?
Audiences can decide for themselves, as Circle Players stages a new production of Shakespeare's historical drama “Richard III,” beginning this weekend. Directed by Jessica Darrow Sherman of Summit, the show promises to give audiences a Richard they can understand and perhaps even feel sorry for, even if in the end they do not like him.
The show has been performed many times, including cinematic adaptations by august actors such as Laurence Olivier in 1955, and Ian McKellan in 1995. But while other productions may focus on Richard's machinations and royal ambitions, Sherman sees the heart of his story primarily in the lives of the women Richard seduces, wrongs and betrays along the way.
“I wanted to streamline that and get down to the man and the relationship he has with the four women,” said Sherman.
Still, given the age of the play – scholars believe Shakespeare wrote “Richard III” in 1591 – connection may seem like a tall order. Much of the play is written in blank verse, and the dialogue contains words that at times may sound unfamiliar to the modern ear.
“The language is the main hurdle,” said Sherman. “It's a hurdle for the audience, and it's a hurdle for the actors. It's a little like walking around in another language.”
But because Shakespeare's language is at least as much of a draw as the stories themselves, don't look for that to change. There are ways to connect with audiences without compromising the writing. This “Richard III” has a contemporary setting, complete with contemporary clothing and accessories. The custom of speech may sound odd to the ear, but the people on stage wouldn't stand out if you met them on the street or in the office.
“I always want to bring my productions that I do of Shakespeare's plays to the present day,” said Sherman. “When you see people walking around and texting one another with their cell phones, you think, 'Yeah, I do that.' I want to take all the walls down so the audience can connect with these characters.”
Academics debate the exact order his plays were written, but generally agree that Shakespeare began with a tetralogy of plays that dramatize the Wars of the Roses, the civil war over the throne of England that ran from 1455-1485. And as she read through the plays about King Henry VI, Sherman — a self-described "Shakespeare nerd" — saw one figure emerging clearly as a key player.
“They all point to Richard III as a play and as a man,” said Sherman. “You're greeted with a very broken politician with a lot of anger.”
This personal interest soon found new fuel that ultimately led to the upcoming production. Tradition long had held that after he died at Bosworth Field, Richard was buried at Greyfriars Friary in Leicester. In September 2012, archaeologists exhumed a skeleton from beneath a parking lot on that site, that seemed like a match for the legendary king. By February, it was official: Archaeologists had found Richard's mortal remains.
“All the sudden, this man who was ruling, fighting and dying in the 1400s was suddenly very real,” said Sherman, who soon began imagining how to stage Shakespeare's play.
The works of William Shakespeare are a regular feature at Circle Players. The past two years have featured a performance of “Romeo and Juliet” in 2014 and a staged reading of “Macbeth” in 2015. Sherman herself has directed productions there of “As You Like It” in 2011 and “Hamlet” in 2012.
Performances of “Richard III” will take place at 8 p.m. Fridays and Saturdays, and at 3 p.m. Sundays, Sept. 23-Oct. 9. Performances are Sept. 23 and 24, and Oct. 1, 2, 7, 8 and 9. Audience members are invited to join the cast in a wine-and-cheese reception in the theater lobby following the opening night performance. Additionally there will be a special talkback with the cast following the Oct. 2 performance.
Circle Players is located at 416 Victoria Ave., Piscataway. Due to the unique layout of this theater-in-the-round, latecomers cannot be seated after the performance has started. Plan to arrive at least 15 minutes before the show opens.
For reservations, call (732) 968-7555, or buy tickets online at www.circleplayers.org. Tickets cost $18 for adults and $17 for students and seniors. Credit cards may not be used at the box office, but will be accepted online.
“Richard III” is produced by Ed Faver of Roselle. The stage manager is Jennifer Robinson of Branchburg.
Appearing in the cast are:
Nils Swanson of North Brunswick as Richard III,
Tess Ammerman of Montclair as Anne,
J.D. Robinson of Branchburg as Clarence, Ratcliff and Brakenbury,
Alicia Harabin of Somerville as Elizabeth,
Steven Mennella of Dunellen as Rivers and the Lord Mayor,
Heidi Carter Hart of Maplewood as Margaret,
David Learn of New Brunswick as Catesby,
Erik Hall of Piscataway as Edward and Richmond,
Donne Petito of Hopewell as Cecily,
Ed Faver of Roselle as Hastings, Ely and Tyrell,
John P. Dowgin of Spotswood as Buckingham,
Ruth Learn of New Brunswick as Young Richard, and
Jacob Hall of Piscataway as Young Edward.
Wednesday, September 21, 2016
Thursday, September 15, 2016
Villagers Theatre explores the conflict in Neil Simon comedy
If you've ever got into a yelling match with your partner, Villagers Theatre is bringing a show to its mainstage this weekend that you should be able to relate to.
“Barefoot in the Park,” a comedy written by audience favorite Neil Simon, will play weekends through Oct. 2. The show joins a pair of polar-opposite newlyweds directly after their honeymoon as they decide to play matchmaker for the bride's mother, and discover things about themselves and their own relationship that they hadn't known before. And therein lies the show's broad appeal.
“Simon is popular because his stuff is relatable and funny,” said director Matt Lafargue. “To me, 'Barefoot in the Park' is a lot more relevant and a lot more poignant than it may appear.”
The key is that both drama and comedy have their roots in conflict; and as is true of Simon's other works, the story of “Barefoot in the Park” is one rife with potential for conflict. Paul Bratter, the male lead, is a straitlaced lawyer who plays by the book. His wife, Corie, is a free spirit who pays far less attention to the rulebook than she does to what she enjoys. The combination makes a perfect storm for comedy or for bickering and relationship counseling, as any married couple will attest.
In the Villagers Theatre production that Lafargue is directing, expect both laughter and raw emotion.
“This is not going to be just a cute comedy. The scenes that are intense are going to be intense,” said Lafargue, a resident of Dunellen. “We really are trying to get the heart of the show. We're not tracking it as a light evening of comedy. We're working at making these real, 3-D people.”
The characters in “Barefoot in the Park” engage in Neil Simon's trademark repartee, but the relationship conflict that connects with audiences also gets to the heart of larger themes that Lafargue expects will resonate far beyond a night at the theater. Conflict ends not just when we discover our common humanity, but when we discover how one another's differences enrich us all.
“The central message of 'Barefoot in the Park' is taking the time to get to know people who are different from you,” said Lafargue. “Not only can you connect on what you have in common, but you can connect on what's different.”
First performed on Broadway in 1963, "Barefoot in the Park" closed nearly four years later, in 1967, making it Simon's longest-running show. It was adapted into a movie in 1967 starring Paul Newman and Jane Fonda.
The first show in the Villagers Theatre 2016-17 season, “Barefoot in the Park” runs Sept. 16-Oct. 2, with performances at 8 p.m. Fridays and Saturdays, and at 2 p.m. Sundays. Tickets are available online, at VillagersTheatre.com.
A nonprofit community theatre located at 475 Demott Lane, Somerset, Villagers Theatre has been providing area theatre-goers with a Broadway experience for the cost of a movie ticket since 1960. Upcoming shows this season include the musical “Titanic”; the Civil Rights drama “Mountaintop,” about the Rev. Dr. Martin Luther King Jr.; the comedy musical “Altar Boyz”; and children's shows “A Christmas Cinderella” and “Schoolhouse Rock Live Jr.”
Programs are made possible, in part, by funds from the New Jersey State Council of the Arts/Department of State, a partner agency of the National Endowment for the Arts, and administered by the Somerset County Cultural & Heritage Commission through the State/County Partnership Local Arts Program.
For more information, call Villagers Theatre at (732) 873-2710.
“Barefoot in the Park” features the following actors:
CORIE BRATTER: Kristin Sarboukh of South Bound Brook
PAUL BRATTER: Bryan Siegel of East Brunswick
MRS. BANKS: Debbie Badal of Morristown
VICTOR VELASCO: Richard Butler of Piscataway
HARRY PEPPER: Rupert Ravens of North Brunswick
DELIVERY MAN: Casey Okamoto of Somerset
“Simon is popular because his stuff is relatable and funny,” said director Matt Lafargue. “To me, 'Barefoot in the Park' is a lot more relevant and a lot more poignant than it may appear.”
The key is that both drama and comedy have their roots in conflict; and as is true of Simon's other works, the story of “Barefoot in the Park” is one rife with potential for conflict. Paul Bratter, the male lead, is a straitlaced lawyer who plays by the book. His wife, Corie, is a free spirit who pays far less attention to the rulebook than she does to what she enjoys. The combination makes a perfect storm for comedy or for bickering and relationship counseling, as any married couple will attest.
In the Villagers Theatre production that Lafargue is directing, expect both laughter and raw emotion.
“This is not going to be just a cute comedy. The scenes that are intense are going to be intense,” said Lafargue, a resident of Dunellen. “We really are trying to get the heart of the show. We're not tracking it as a light evening of comedy. We're working at making these real, 3-D people.”
The characters in “Barefoot in the Park” engage in Neil Simon's trademark repartee, but the relationship conflict that connects with audiences also gets to the heart of larger themes that Lafargue expects will resonate far beyond a night at the theater. Conflict ends not just when we discover our common humanity, but when we discover how one another's differences enrich us all.
“The central message of 'Barefoot in the Park' is taking the time to get to know people who are different from you,” said Lafargue. “Not only can you connect on what you have in common, but you can connect on what's different.”
First performed on Broadway in 1963, "Barefoot in the Park" closed nearly four years later, in 1967, making it Simon's longest-running show. It was adapted into a movie in 1967 starring Paul Newman and Jane Fonda.
The first show in the Villagers Theatre 2016-17 season, “Barefoot in the Park” runs Sept. 16-Oct. 2, with performances at 8 p.m. Fridays and Saturdays, and at 2 p.m. Sundays. Tickets are available online, at VillagersTheatre.com.
A nonprofit community theatre located at 475 Demott Lane, Somerset, Villagers Theatre has been providing area theatre-goers with a Broadway experience for the cost of a movie ticket since 1960. Upcoming shows this season include the musical “Titanic”; the Civil Rights drama “Mountaintop,” about the Rev. Dr. Martin Luther King Jr.; the comedy musical “Altar Boyz”; and children's shows “A Christmas Cinderella” and “Schoolhouse Rock Live Jr.”
Programs are made possible, in part, by funds from the New Jersey State Council of the Arts/Department of State, a partner agency of the National Endowment for the Arts, and administered by the Somerset County Cultural & Heritage Commission through the State/County Partnership Local Arts Program.
For more information, call Villagers Theatre at (732) 873-2710.
“Barefoot in the Park” features the following actors:
CORIE BRATTER: Kristin Sarboukh of South Bound Brook
PAUL BRATTER: Bryan Siegel of East Brunswick
MRS. BANKS: Debbie Badal of Morristown
VICTOR VELASCO: Richard Butler of Piscataway
HARRY PEPPER: Rupert Ravens of North Brunswick
DELIVERY MAN: Casey Okamoto of Somerset
Wednesday, September 14, 2016
Circle Players announces cast of 'Spike Heels'
Circle Players has determined who will be in "Spike Heels" this November.
The show -- the second in the theater's this season, after "Richard III" -- opens Nov. 4. Set in Boston, the play is a contemporary comedy of manners that explores sexual harassment, misplaced affections, and the possibility of a four-sided love triangle. The combatants are a sexy, volatile young woman and three Back Bay types: a writer, a lawyer and a fiancee in sensible shoes.
Written by award-winning playwright Theresa Rebeck, "Spike Heels" is directed by Tom Frascatore and features the talents of Ariana Fort, Danny Siegel, David Bronovicki and Tess Ammerman.
Circle Playhouse is located at 416 Victoria Ave, Piscataway. The show is directed by Tom Frascatore. For more information, write to circleplayersnj@gmail.com.
Written by award-winning playwright Theresa Rebeck, "Spike Heels" is directed by Tom Frascatore and features the talents of Ariana Fort, Danny Siegel, David Bronovicki and Tess Ammerman.
Circle Playhouse is located at 416 Victoria Ave, Piscataway. The show is directed by Tom Frascatore. For more information, write to circleplayersnj@gmail.com.
Thursday, September 8, 2016
Casting call: 'Spike Heels' at Circle Players
Circle Players is looking for a few actors to put in Theresa Rebeck's “Spike Heels.”
Pygmalion goes awry in this contemporary comedy of manners which explores sexual harassment, misplaced amour, and the possibility of a four sided love triangle. The combatants are a sexy, volatile young woman and three Back Bay types: a writer, a lawyer and a fiancée in sensible shoes. The setting is Boston, the ending is happy, and laughter abounds.
Auditions are from 7 to 9 p.m. Sept. 9 and 5-7 p.m. Sept. 10, with callbacks from 7 to 9 p.m. Sept. 11. Auditions will be held at Circle Playhouse, 416 Victoria Ave, Piscataway. The show is directed by Tom Frascatore.
All characters are around 30 years old.
ANDREW is a professor of political philosophy at a small college in Boston. He lives alone in an apartment and has befriended his neighbor Georgie, appointing himself her “teacher.” He is engaged to be married to Lydia. As the play opens, Andrew is fastidious, cautious, and averse to risk. However, during the course of the play he becomes less restrained because of Georgie’s influence on him.
EDWARD is an old friend of Andrew’s. Edward is aggressive, extroverted, demanding, and at times a little sleazy. He is a criminal defense lawyer and, as a favor to Andrew, has hired Georgie to be his secretary even though she has not attended college. He dated Andrew’s fiancee, Lydia, before Andrew began dating her.
GEORGIE is Andrew’s neighbor and Edward’s secretary. She comes from a working-class background and has not attended college. She is lusty, earthy, sarcastic and fatalistic, especially in her relationships with men. Six months before the play begins, Andrew has decided to become her friend and to try to diminish her self-destructive tendencies. In befriending her, Andrew has also tried to “improve” her by giving her books to read and encouraging her to speak more properly. She has responded to Andrew’s friendship by falling in love with him.
LYDIA is Andrew’s fiancée and Edward’s ex-girlfriend. She is from an old, upperclass Boston family. In many ways, she is the opposite of Georgie, and the characters talk about her a great deal before she ever actually appears. Edward describes her as cold and unemotional, and Andrew wants to keep her pure. When she does appear, she is quite fiery, convinced that Georgie is trying to steal Andrew from her. Georgie comes to like her when she sees that Lydia is not the “vampire” Edward has portrayed her to be.
Performances will be held Nov. 4, 5, 12, 13, 18, 19 and 20, at 8 p.m. Fridays and Saturdays and at 3 p.m. Sundays.
For more information, write to circleplayersnj@gmail.com.
Auditions are from 7 to 9 p.m. Sept. 9 and 5-7 p.m. Sept. 10, with callbacks from 7 to 9 p.m. Sept. 11. Auditions will be held at Circle Playhouse, 416 Victoria Ave, Piscataway. The show is directed by Tom Frascatore.
All characters are around 30 years old.
ANDREW is a professor of political philosophy at a small college in Boston. He lives alone in an apartment and has befriended his neighbor Georgie, appointing himself her “teacher.” He is engaged to be married to Lydia. As the play opens, Andrew is fastidious, cautious, and averse to risk. However, during the course of the play he becomes less restrained because of Georgie’s influence on him.
EDWARD is an old friend of Andrew’s. Edward is aggressive, extroverted, demanding, and at times a little sleazy. He is a criminal defense lawyer and, as a favor to Andrew, has hired Georgie to be his secretary even though she has not attended college. He dated Andrew’s fiancee, Lydia, before Andrew began dating her.
GEORGIE is Andrew’s neighbor and Edward’s secretary. She comes from a working-class background and has not attended college. She is lusty, earthy, sarcastic and fatalistic, especially in her relationships with men. Six months before the play begins, Andrew has decided to become her friend and to try to diminish her self-destructive tendencies. In befriending her, Andrew has also tried to “improve” her by giving her books to read and encouraging her to speak more properly. She has responded to Andrew’s friendship by falling in love with him.
LYDIA is Andrew’s fiancée and Edward’s ex-girlfriend. She is from an old, upperclass Boston family. In many ways, she is the opposite of Georgie, and the characters talk about her a great deal before she ever actually appears. Edward describes her as cold and unemotional, and Andrew wants to keep her pure. When she does appear, she is quite fiery, convinced that Georgie is trying to steal Andrew from her. Georgie comes to like her when she sees that Lydia is not the “vampire” Edward has portrayed her to be.
Performances will be held Nov. 4, 5, 12, 13, 18, 19 and 20, at 8 p.m. Fridays and Saturdays and at 3 p.m. Sundays.
For more information, write to circleplayersnj@gmail.com.
'Richard III' at Circle Players
King Richard III is the most memorable villain created by William Shakespeare. Or is he?
In a bold new adaptation of "Richard III" opening this month at Circle Players, the story unfolds of an unlikely king, battling his conscience while he schemes, murders, and seduces his way to the throne.
Performances will take place at 8 p.m. Fridays and Saturdays, and at 3 p.m. Sundays, Sept. 23-Oct. 9. Performances are Sept. 23 and 24, and Oct. 1, 2, 7, 8 and 9. A special talkback will be held following the Oct. 2 performance.
The play is directed by Jessica Damrow Sherman of Summit , and produced by Ed Faver of Roselle. The stage manager for this production is Jennifer Robinson of Branchburg.
Appearing in the cast are
Nils Swanson of North Brunswick as Richard III,
Tess Ammerman of Montclair as Anne,
J.D. Robinson of Branchburg as Clarence, Ratcliff and Brakenbury,
Alicia Harabin of Somerville as Elizabeth,
Steven Mennella of Dunellen as Rivers and the Lord Mayor,
Heidi Carter Hart of Maplewood as Margaret,
David Learn of New Brunswick as Catesby,
Erik Hall of Piscataway as Edward and Richmond,
Donne Petito of Hopewell as Cecily,
Ed Faver of Roselle as Hastings, Ely and Tyrell,
John P. Dowgin of Spotswood as Buckingham,
Ruth Learn of New Brunswick as Young Richard, and
Jacob Hall of Piscataway as Young Edward.
Audience members are invited to join the cast in a wine-and-cheese reception in the theater lobby following the opening night performance.
Circle Players is located at 416 Victoria Ave., Piscataway. Due to the unique layout of this theater-in-the-round, latecomers cannot be seated after the performance has started. Plan to arrive at least 15 minutes before the show opens.
For reservations, call (732) 968-7555, or buy tickets online at www.circleplayers.org. Tickets cost $18 for adults and $17 for students and seniors. Credit cards may not be used at the box office, but will be accepted online.
Performances will take place at 8 p.m. Fridays and Saturdays, and at 3 p.m. Sundays, Sept. 23-Oct. 9. Performances are Sept. 23 and 24, and Oct. 1, 2, 7, 8 and 9. A special talkback will be held following the Oct. 2 performance.
The play is directed by Jessica Damrow Sherman of Summit , and produced by Ed Faver of Roselle. The stage manager for this production is Jennifer Robinson of Branchburg.
Appearing in the cast are
Nils Swanson of North Brunswick as Richard III,
Tess Ammerman of Montclair as Anne,
J.D. Robinson of Branchburg as Clarence, Ratcliff and Brakenbury,
Alicia Harabin of Somerville as Elizabeth,
Steven Mennella of Dunellen as Rivers and the Lord Mayor,
Heidi Carter Hart of Maplewood as Margaret,
David Learn of New Brunswick as Catesby,
Erik Hall of Piscataway as Edward and Richmond,
Donne Petito of Hopewell as Cecily,
Ed Faver of Roselle as Hastings, Ely and Tyrell,
John P. Dowgin of Spotswood as Buckingham,
Ruth Learn of New Brunswick as Young Richard, and
Jacob Hall of Piscataway as Young Edward.
Audience members are invited to join the cast in a wine-and-cheese reception in the theater lobby following the opening night performance.
Circle Players is located at 416 Victoria Ave., Piscataway. Due to the unique layout of this theater-in-the-round, latecomers cannot be seated after the performance has started. Plan to arrive at least 15 minutes before the show opens.
For reservations, call (732) 968-7555, or buy tickets online at www.circleplayers.org. Tickets cost $18 for adults and $17 for students and seniors. Credit cards may not be used at the box office, but will be accepted online.
'Barefoot in the Park' at Villagers Theatre
Villagers Theatre invites audiences to kick up their heels, relax and go "Barefoot in the Park" this September.
The theatre will launch its new season this September, with Neil Simon's comedy about newlyweds Paul and Corie Bratter. He's a straight-as-an-arrow lawyer, She's a free spirit always looking for the latest kick. After a-six day honeymoon, they get a surprise visit from Corie's mother and decide to play matchmaker during a dinner with their neighbor-in-the-attic Velasco; and inadvertently learn a thing or two about their own relationship in the process.
"Barefoot in the Park" will run Sept. 16-Oct. 2, with the following talents:
DIRECTOR: Matt Lafargue of Dunellen
CORIE BRATTER: Kristin Sarboukh of South Bound Brook
PAUL BRATTER: Bryan Siegel of East Brunswick
MRS. BANKS: Debbie Badal of Morristown
VICTOR VELASCO: Richard Butler of Piscataway
HARRY PEPPER: Rupert Ravens of North Brunswick
DELIVERY MAN: Casey Okamoto of Somerset
Performances begin at 8 p.m. Fridays and Saturdays and at 2 p.m. Sundays. Tickets are available online. Villagers Theatre is located at 475 DeMott Lane, Somerset.
For more information, call the theater at (732) 873-2710. .
The theatre will launch its new season this September, with Neil Simon's comedy about newlyweds Paul and Corie Bratter. He's a straight-as-an-arrow lawyer, She's a free spirit always looking for the latest kick. After a-six day honeymoon, they get a surprise visit from Corie's mother and decide to play matchmaker during a dinner with their neighbor-in-the-attic Velasco; and inadvertently learn a thing or two about their own relationship in the process."Barefoot in the Park" will run Sept. 16-Oct. 2, with the following talents:
DIRECTOR: Matt Lafargue of Dunellen
CORIE BRATTER: Kristin Sarboukh of South Bound Brook
PAUL BRATTER: Bryan Siegel of East Brunswick
MRS. BANKS: Debbie Badal of Morristown
VICTOR VELASCO: Richard Butler of Piscataway
HARRY PEPPER: Rupert Ravens of North Brunswick
DELIVERY MAN: Casey Okamoto of Somerset
Performances begin at 8 p.m. Fridays and Saturdays and at 2 p.m. Sundays. Tickets are available online. Villagers Theatre is located at 475 DeMott Lane, Somerset.
For more information, call the theater at (732) 873-2710. .
Thursday, August 18, 2016
Casting Call: 'Titanic'
The sinking of the "Titanic" in the early hours of April 15, 1912, remains the quintessential disaster of the 20th century. A total 1,517 men, women and children lost their lives. That the supposedly unsinkable ship was lost during its maiden voyage is so incredible that, had it not actually happened, no author would dare to contrive it.
The musical "Titanic" examines the causes, the conditions and the characters involved in this ever-fascinating drama. This is the factual story of that ship - of her officers, crew and passengers, to be sure - but she will not, as has happened so many times before, serve as merely the background against which fictional, melodramatic narratives are recounted. The central character of our "Titanic" is the Titanic herself.
PLAYWRIGHT:
Peter Stone
COMPOSER AND LYRICIST:
Maury Yeston
PUBLISHER INFO:
This production of "Titanic" is limited to a cast of 20 people.
PRODUCERS' NAMES:
Darren Nye and David Learn
DIRECTOR'S NAME:
Matthew Muccigrossi
MUSICAL DIRECTOR'S NAME:
Mike Gilch
STAGE MANAGER'S NAME:
Holly Lessing
CHOREOGRAPHER'S NAME:
Genevieve Estanislau
AUDITION DATES:
7-9:30 p.m. Thursday, Aug. 18
Noon-2:30 p.m. Saturday, Aug. 20
CALLBACK DATES (IF APPLICABLE):
2 p.m. Sunday, Aug. 21
REHEARSAL DATE RANGE:
Rehearsals will run Sunday, Sept. 11, through Thursday, Oct. 20. Pre-tech will run Sunday, Oct. 24, through Friday, Oct. 28. Tech will run Sunday, Oct. 30, through senior night, Thursday, Nov. 3.
PRODUCTION DATES:
Performances are at 8 p.m. Fridays and Saturdays, and at 2 p.m. Sundays, Nov. 4-20
MONOLOGUE/READING REQUIREMENTS:
Bring a headshot or recent photo, and a resume. There will not be a dance call. All actors must be at least 18 by the time of auditions, no exceptions.
AUDITION REQUIREMENTS:
Prepare 32 bars of a contemporary musical theatre song in the style of the show, showing range. Please do not sing a selection from the show. Bring sheet music. A piano accompanist will be provided. No a cappella auditions.
CHARACTERS/ROLES/REQUIREMENTS:
***MEN'S PARTS***
THOMAS ANDREWS:
38 - 43. Designer of the Titanic. A very level-headed but passionate man. Leading role, strong vocal and incredible actor needed. Dramatic Bari/Tenor, sings up to G. Accent - Northern Irish/English RP.
FREDERICK BARRETT:
28 - 35. The stoker. Very masculine, handsome, and physically fit. Lyric Bari/Tenor, sings up to G. Accent - English Midlands. Also plays a 1st Class Passenger and 3rd Class Passenger.
HAROLD BRIDE:
18 - 25. The radioman. Slim. A sweet man. Melodic Tenor, sings up to G. Accent - English RP. Also plays a 1st Class Passenger and 3rd Class Passenger.
FREDERICK FLEET:
25 - 35. The lookout. Tall, physically fit actor. Floating Lyric Tenor (hypnotic), sings up to G, but possible High C man. Accent - English RP. Also plays a 1st Class Passenger, 3rd Class Passenger, and Stoker.
CAPTAIN EDWARD SMITH:
55 - 65. Captain of the Titanic. A white-haired man with strong morals, near to retirement. Has a wealth of experience. Character Baritone, commanding voice, sings up to F. Accent - English RP.
BRUCE ISMAY:
47 - 52. The chairman and managing director of the White Star Line. Upper-class ruthless man who stops at nothing to get his own way. Baritone, sings up to G. Accent - English RP.
CHARLES CLARKE:
35 - 40. A man content with his middle-class life and thinks he knows his place, looking forward to his new life in America. Strong actor. Heroic Tenor, sings up to G, but also possible High C man. Accent - English RP. Also plays a 1st Class Passenger.
EDGAR BEANE:
30 - 40. A man content with his middle-class life and thinks he knows his place, looking forward to his new life in America. Strong actor. Character Bass, sings up to D. Accent - General American (Indianapolis). Also plays Joseph Boxhall and a 3rd Class Passenger.
ISIDOR STRAUS:
60 - 65.1st Class Passenger, the highest of social elite. Warm Legit Character Baritone, sings up to F. Accent - General American (New York, Jewish Origin). Also plays Robert Hichens and a 3rd Class Passenger.
JIM FARRELL:
20 - 30. Handsome, romantic lead; a 3rd Class Passenger. Bari/Tenor, sings up to F#. Accent - Northern Irish. Also plays Andrew Latimer, 1st Class Passenger, and Joseph Bell (Chief Engineer).
HENRY ETCHES:
30 - 40. Head Butler on the ship. Strong stage presence. Jaunty Tenor, sings up to G. Accent - English RP. Also plays Herbert Pitman.
WILLIAM MURDOCH:
30 - 40. The first officer on the bridge of the Titanic. Strong actor. Baritone, sings up to F#. Accent - Scottish/English RP.
CHARLES LIGHTOLLER:
30 - 40. Second Officer on board the Titanic. Strong actor. Range up to D, but preferably with Tenor timbre, chorally up to G. Accent - English RP. Also plays a 3rd Class Passenger.
BELLBOY:
18 - early 20s. The youngest worker on board the ship (13 - 16 years old). Must have a very young look and childlike quality. Tenor, solo up to G, but also possible High C man. Accent - English RP. Also plays Wallace Hartley, 3rd Class Passenger and Stoker.
***WOMEN'S ROLES***
ALICE BEANE:
28 - 38. An aspirational young woman who dreams of becoming a 1st Class Passenger. Alto, belts up to E. Accent - General American (Indianapolis). Also plays a 3rd Class Passenger.
CAROLINE NEVILLE:
30 - 40. A woman who dreams of becoming part of the social elite. Strong actor. First Soprano, lyric, chorally up to High C. Accent - English RP. Also plays a 1st Class Passenger and Stewardess.
KATE MCGOWAN:
18 - 25. A feisty and strong girl, 3rd Class Passenger. Celtic Mezzo, solo singing up to F#, chorally up to G. Accent - Northern Irish/English RP. Also plays a 1st Class Passenger.
KATE MURPHEY:
18 - 30. 3rd Class Passenger. Strong actor. Alto/Mezzo, sings up to F#, but also possible High C. Accent - Northern Irish/English RP. Also plays a 1st Class Passenger and Stewardess.
KATE MULLINS:
18 - 30. 3rd Class Passenger. Strong actor. Alto/Mezzo, sings up to F#, but also possible High C. Accent - Northern Irish/English RP. Also plays a 1st Class Passenger and Stewardess.
IDA STRAUS:
60 - 65. Calm and content member of the Upper Class but very down-to-earth and accepts her fate. Contralto, sings up to D (an octave above Middle C). Accent - General American (New York, Jewish Origin). Also plays a 3rd Class Passenger.
LIABILITY/PHOTO RELEASE FORM:
All those auditioning must agree to and sign the Villagers Liability/Photo Release Form found at:
www.villagerstheatre.com/liability-photo-release-form.pdf
FOR FURTHER QUESTIONS - CONTACT:
Darren Nye
darren@villagerstheatre.com
(732) 429-8258
The musical "Titanic" examines the causes, the conditions and the characters involved in this ever-fascinating drama. This is the factual story of that ship - of her officers, crew and passengers, to be sure - but she will not, as has happened so many times before, serve as merely the background against which fictional, melodramatic narratives are recounted. The central character of our "Titanic" is the Titanic herself.
PLAYWRIGHT:
Peter Stone
COMPOSER AND LYRICIST:
Maury Yeston
PUBLISHER INFO:
This production of "Titanic" is limited to a cast of 20 people.
PRODUCERS' NAMES:
Darren Nye and David Learn
DIRECTOR'S NAME:
Matthew Muccigrossi
MUSICAL DIRECTOR'S NAME:
Mike Gilch
STAGE MANAGER'S NAME:
Holly Lessing
CHOREOGRAPHER'S NAME:
Genevieve Estanislau
AUDITION DATES:
7-9:30 p.m. Thursday, Aug. 18
Noon-2:30 p.m. Saturday, Aug. 20
CALLBACK DATES (IF APPLICABLE):
2 p.m. Sunday, Aug. 21
REHEARSAL DATE RANGE:
Rehearsals will run Sunday, Sept. 11, through Thursday, Oct. 20. Pre-tech will run Sunday, Oct. 24, through Friday, Oct. 28. Tech will run Sunday, Oct. 30, through senior night, Thursday, Nov. 3.
PRODUCTION DATES:
Performances are at 8 p.m. Fridays and Saturdays, and at 2 p.m. Sundays, Nov. 4-20
MONOLOGUE/READING REQUIREMENTS:
Bring a headshot or recent photo, and a resume. There will not be a dance call. All actors must be at least 18 by the time of auditions, no exceptions.
AUDITION REQUIREMENTS:
Prepare 32 bars of a contemporary musical theatre song in the style of the show, showing range. Please do not sing a selection from the show. Bring sheet music. A piano accompanist will be provided. No a cappella auditions.
CHARACTERS/ROLES/REQUIREMENTS:
***MEN'S PARTS***
THOMAS ANDREWS:
38 - 43. Designer of the Titanic. A very level-headed but passionate man. Leading role, strong vocal and incredible actor needed. Dramatic Bari/Tenor, sings up to G. Accent - Northern Irish/English RP.
FREDERICK BARRETT:
28 - 35. The stoker. Very masculine, handsome, and physically fit. Lyric Bari/Tenor, sings up to G. Accent - English Midlands. Also plays a 1st Class Passenger and 3rd Class Passenger.
HAROLD BRIDE:
18 - 25. The radioman. Slim. A sweet man. Melodic Tenor, sings up to G. Accent - English RP. Also plays a 1st Class Passenger and 3rd Class Passenger.
FREDERICK FLEET:
25 - 35. The lookout. Tall, physically fit actor. Floating Lyric Tenor (hypnotic), sings up to G, but possible High C man. Accent - English RP. Also plays a 1st Class Passenger, 3rd Class Passenger, and Stoker.
CAPTAIN EDWARD SMITH:
55 - 65. Captain of the Titanic. A white-haired man with strong morals, near to retirement. Has a wealth of experience. Character Baritone, commanding voice, sings up to F. Accent - English RP.
BRUCE ISMAY:
47 - 52. The chairman and managing director of the White Star Line. Upper-class ruthless man who stops at nothing to get his own way. Baritone, sings up to G. Accent - English RP.
CHARLES CLARKE:
35 - 40. A man content with his middle-class life and thinks he knows his place, looking forward to his new life in America. Strong actor. Heroic Tenor, sings up to G, but also possible High C man. Accent - English RP. Also plays a 1st Class Passenger.
EDGAR BEANE:
30 - 40. A man content with his middle-class life and thinks he knows his place, looking forward to his new life in America. Strong actor. Character Bass, sings up to D. Accent - General American (Indianapolis). Also plays Joseph Boxhall and a 3rd Class Passenger.
ISIDOR STRAUS:
60 - 65.1st Class Passenger, the highest of social elite. Warm Legit Character Baritone, sings up to F. Accent - General American (New York, Jewish Origin). Also plays Robert Hichens and a 3rd Class Passenger.
JIM FARRELL:
20 - 30. Handsome, romantic lead; a 3rd Class Passenger. Bari/Tenor, sings up to F#. Accent - Northern Irish. Also plays Andrew Latimer, 1st Class Passenger, and Joseph Bell (Chief Engineer).
HENRY ETCHES:
30 - 40. Head Butler on the ship. Strong stage presence. Jaunty Tenor, sings up to G. Accent - English RP. Also plays Herbert Pitman.
WILLIAM MURDOCH:
30 - 40. The first officer on the bridge of the Titanic. Strong actor. Baritone, sings up to F#. Accent - Scottish/English RP.
CHARLES LIGHTOLLER:
30 - 40. Second Officer on board the Titanic. Strong actor. Range up to D, but preferably with Tenor timbre, chorally up to G. Accent - English RP. Also plays a 3rd Class Passenger.
BELLBOY:
18 - early 20s. The youngest worker on board the ship (13 - 16 years old). Must have a very young look and childlike quality. Tenor, solo up to G, but also possible High C man. Accent - English RP. Also plays Wallace Hartley, 3rd Class Passenger and Stoker.
***WOMEN'S ROLES***
ALICE BEANE:
28 - 38. An aspirational young woman who dreams of becoming a 1st Class Passenger. Alto, belts up to E. Accent - General American (Indianapolis). Also plays a 3rd Class Passenger.
CAROLINE NEVILLE:
30 - 40. A woman who dreams of becoming part of the social elite. Strong actor. First Soprano, lyric, chorally up to High C. Accent - English RP. Also plays a 1st Class Passenger and Stewardess.
KATE MCGOWAN:
18 - 25. A feisty and strong girl, 3rd Class Passenger. Celtic Mezzo, solo singing up to F#, chorally up to G. Accent - Northern Irish/English RP. Also plays a 1st Class Passenger.
KATE MURPHEY:
18 - 30. 3rd Class Passenger. Strong actor. Alto/Mezzo, sings up to F#, but also possible High C. Accent - Northern Irish/English RP. Also plays a 1st Class Passenger and Stewardess.
KATE MULLINS:
18 - 30. 3rd Class Passenger. Strong actor. Alto/Mezzo, sings up to F#, but also possible High C. Accent - Northern Irish/English RP. Also plays a 1st Class Passenger and Stewardess.
IDA STRAUS:
60 - 65. Calm and content member of the Upper Class but very down-to-earth and accepts her fate. Contralto, sings up to D (an octave above Middle C). Accent - General American (New York, Jewish Origin). Also plays a 3rd Class Passenger.
LIABILITY/PHOTO RELEASE FORM:
All those auditioning must agree to and sign the Villagers Liability/Photo Release Form found at:
www.villagerstheatre.com/liability-photo-release-form.pdf
FOR FURTHER QUESTIONS - CONTACT:
Darren Nye
darren@villagerstheatre.com
(732) 429-8258
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